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domain	thevalleybelow.id
summary	The speaker reminisces about an object they encountered during summer. This item had peculiar characteristics—it was soft yet seemingly foul-like in its origin or behavior (referred to as "foul carrion"). The legs of this entity were likened to pebbles floating through the air. A vivid, almost sensual image emerges: a woman depicted with swollen wombs filled with past experiences and emotions—hot, dripping poisons. Nature is personified here; she watches over decaying matter that becomes nourished again as it reverts back into cosmic elements—the cosmos being compared to heaven observing this transformation like the blooming of flowers. Despite its decay emitting stench potent enough for one not physically present but imagining oneself there (as if they might collapse), life continues. Flies swarm around, likened metaphorically by worms emerging from a decaying body resembling black battalions in military formation pouring forth as pustules along tatters-like skin—suggestive of both literal decay and emotional or spiritual degradation. The scene transitions into one where the world feels alienated; all is reduced to watery flux. The wind personified carries away remnants, turning them over like grain sifted by a winnower in rhythmic motion (gesté). There’s an eerie presence—a vigilant dog watching with anger from behind rocks—perhaps symbolizing jealousy or protective instincts toward this decaying object. The writer then reflects on personal transformation and decay. Despite the grim imagery of decomposition left to decompose amidst bones, there's talk about a love's enduring essence that transcends physical death—the metaphorical "deathless hen" born out of faith surpassing prophecy—a reference perhaps both literal (to hens) or figurative ("hen", referring traditionally in literature like Dante’s Divine Comedy). The speaker describes themselves with regal imagery—glittering swans, pur de lait pillows—but this beauty is now intertwined with decay and death. The moon's kiss on certain plants draws parallels between the lover and dangerous yet honest substances. In conclusion, there's a poetic lament for transformation through love into something both beautiful (like night sky) but also tragic or destructive—a reflection of how deep connections can lead to personal change that might be misunderstood by others ("saps the wine" suggests loss). The speaker hopes their shared experiences leave an indelible mark—fingerprints melting on someone's tongue—that is cherished even as it leads them away from life itself, a mixture reminiscent of both bull-horned hemlock's beauty and danger.
title	The Valley Below
description	The Valley Below
keywords	like, have, sweetie, more, black, original, needs, makes, form, much, blue, cant, texts, while, water, felt, stars
upstreams
downstreams
nslookup	A 49.13.40.136
created	2025-05-17
updated	2025-06-05
summarized	2025-06-05

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